Who made the Borghese Gladiator?
AgasiasBorghese Gladiator / Artist
The antique Borghese Gladiator is a Hellenstic marble sculpture of a swordsman or warrior, made by Agasias of Ephesos, an ancient Greek sculptor. It was rediscovered in 1611 at Nettuno. It was in the Borghese Collection, Rome, until Napoleon purchased it in 1907. It is now in the Louvre.
When was the Borghese Gladiator created?
| Borghese Gladiator | |
|---|---|
| Artist | Agasias of Ephesus (signature) |
| Year | c.100 BC |
| Type | Marble |
| Dimensions | 199 cm (78 in) |
Who made the Statue of Ares?
The sculptor Alkamenes is known to have made a statue of Ares that stood in the Athenian Agora, but to connect this sculpture with that is speculation.
Which sculpture symbolizes strength youthful beauty and defense of civil liberties?
Arguably the most favored work among the art of Florence, Michelangelo’s David not only represented the youth, beauty and strength that emerged from the Renaissance, but also came to symbolize the defense of Florence’s civil liberties.
What art period that uses motion similar to Contrapposto?
Renaissance
Classical contrapposto was revived in Renaissance art by the Italian artists Donatello and Leonardo da Vinci, followed by Michelangelo, Raphael and other artists of the High Renaissance. One of the achievements of the Italian Renaissance was the re-discovery of contrapposto.
What did Ares look like?
ARES was the Olympian god of war, battlelust, courage and civil order. In ancient Greek art he was depicted as either a mature, bearded warrior armed for battle, or a nude, beardless youth with a helm and spear.
Where is the real statue of David?
Accademia Gallery (since 1873)David of Michelangelo / Location
Who created the first freestanding nude since antiquity?
Donatello
Donatello created his bronze David for Cosimo de’ Medici. Conceived independently of any architectural surroundings, it was the first known free-standing nude statue produced since antiquity .
Is contrapposto Greek or Roman?
contrapposto, (Italian: “opposite”), in the visual arts, a sculptural scheme, originated by the ancient Greeks, in which the standing human figure is poised such that the weight rests on one leg (called the engaged leg), freeing the other leg, which is bent at the knee.