Is Marlow a good person in Heart of Darkness?
Marlow remains a good man at the end of the book, yet he has been changed. He has seen the darkness in the world and can no longer look at the world with his rose tinted glasses. He realizes that civilization may be more of a lie than we like to think.
What is Marlow’s goal in Heart of Darkness?
Heart of Darkness As a young man, Marlow wished to explore the “blank places” on the map because he longed for adventure; his journey up the Congo, however, proves to be much more than a thrilling episode.
Is Marlow in Heart of Darkness white?
Like Kurtz, Marlow comes from an upper middle class white European family. Both are, how do we say, arrogant: Marlow considers himself above the manager, the uncle, and the brickmaker while Kurtz establishes himself in an unparalleled seat of power among the native Africans.
Is Marlow the narrator in Heart of Darkness?
Marlow narrates his story in the first person, describing only what he witnessed and experienced, and providing his own commentary on the story.
Why does Marlow say and this also has been one of the dark places of the earth?
1. “And this also… has been one of the dark places of the earth” suggests that Marlow will compare England to another dark place or time. Marlow emphasizes his hatred of lies early in the book foreshadows his future lie to the Intended.
What is the tone of Heart of Darkness?
The tone of Marlow’s tale is ambivalent, meaning that it expresses contradictory attitudes that remain unresolved. In particular, Marlow’s narrative expresses contradictory attitudes about imperialism.
What is the role of the narrator in Heart of Darkness?
One of the five men on the ship in the Thames, he is the one who relays to the reader Marlow’s story about Kurtz and the Congo. He is insightful, and seems to understand Marlow quite well, but otherwise has little personality. He does seem to be affected by Marlow’s story.
How is frame narrative used in Heart of Darkness?
In Heart of Darkness, we encounter another “frame narrative,” as we did in Wuthering Heights. That is, the initial narrative frame-story, told by a first narrator (never named) establishes the situation for and “frames” the telling of a second embedded (and the main) story, told by a second and main narrator, Marlow.